
poem you and i
1
you know how
when you get a new hair cut
after letting it grow long
you overshoot the mark
with your comb
and scrape
the tops
the backs of your ears?
that little pain
reminds you that you've changed.
2 and 3
I don't have the courage to write more than this.
or
maybe I erased it

poem a16-09
i dont mean to confuse you
this isnt a poem actually
a memo to my best friend
i have to let you be dead now
i told myself
that there had to be a limit
to how long i would hold on to your
empty
silky skin
and suck the left over salts
well
now is the time i think
to give it up
you're dead
bye

poem general feelings about space
if it gets out of my head
its gone forever
its more important than me or you
or the cat or my dad
or my job
my life
i live on it like a flea lives on a planet
i was listening to the music of
toads screaming fear from a swamp
a chicken gutting an earthworm in a field
with patafores
your dead babies in still in the womb
the music
repetition
ascending patterns of
rhythm guitars massive drum kits vibraphones
building upon
100
1 000
10 000
1 000 000
1 000 000 000
(its important to read every digit in this case)
life persists as scraggly gray weeds holding on in the cracks of concrete being trodden by 100 feet
i tried to tell you i love you but
i bit my fist and the blood filled my mouth and made me mute
and it filled my skull
with 1000 liquid teeth that
filled my eyes
and constant building pressure
burst from my sockets
onto the floor
with 10 000 ringing keys marbles silver knives
black men have it easy you said
the worst crime you could commit
is being ugly
and loveing someone attractive
said the butterfly
and the toad answered
the worst crime you could commit
is being beautiful
and being disgusted
with the ugly ones who love you
thats why i walked
and i walked
and i walked
and i walked
and i walked
and i walked
(its important to read every line in this case)
not until i was dead but until the
sun's concrete mud
devoid of scraggly gray weeds
turned my feet
my bare solemn feet
into stone
into stone
into stones
that beat the breath from
that could take your spines
1 000 000 spines
your claws teeth unbearable heat
that made a path of of you
until i was ready
the waltzes
the 1 000 000 000 walzes
i loved to dance
to waltz with you
with theodore roethke's father
the happiness that each of the bruises you left
the glee of glancing
blows
oh father
so i finish
my love has drilled its way up your unsuspecting anus
and the liquid teeth
the billion liquid teeth
( i cheat so that i assure failure here)
race their scraping
gnawing
screaming way
up your intestines
to your throat
and burst out of your lungs
out of your throat
like
a last angry
heaving
cold breath
exasperation
nulls
everything
i
am
null
set
void
(cliche but yes so is desperation and self loathing in this kind of setting)
thank you
for not
caring
insert (favorite flavor or home town)
this poem should end with the imagery of pond scum
viscous dull green slime
on the edge of mud goo
that
flies accustomed to shit
would avoid
methane
end scene

images:
robert sherer
1. adam and steve
2. submarine game
3. american martyr
4. fountain of youth

4 comments:
shai,
sherer's art is beautiful, the images outfit your poems like mannequins modelling them in shop front windows, good choice.
the first poem is its own inner world looking outward.
i'd like to ask you some things about the second poem another time.
the third one’s title is brilliant
and as for the poem proper, i like how it wanders around inside itself, so deliberately.
the butterfly / toad thing is really powerful in a way i find hard to resolve in my carbonite words.
but this especially
(cliche but yes so is desperation and self loathing in this kind of setting)
says something to me about why we are becoming more and more earnest with one another, to the point where maybe one day honesty will only be able to feel at ease with itself when it is hysterical
or maybe that has already happened
or maybe the two have no relation to one another by any measure.
though if that's so, that last possibility could also be the connection between them after all.
you know torsion in snails, and what comes of it, your poems think from that position and have that kind of effect.
shia robert sherer's art screams petit paradis! bona!
ace. The first poem especially really got to me. hope youre well man.
i really like these poems
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